Monday, December 27, 2010
Tron: Legacy is the anti-Tron to the original Tron: It is sequel and prequel. It is remake, recapitulation, thesis, antithesis and mystical synthesis.
Saturday, December 18, 2010
This is actually a review of Tron: Legacy reviews and reactions.
I am uniquely qualified to write the definitive review of Tron: Legacy. My Tron credentials are impeccable (check my manifesto/about/and other posts/pages here).
There is a ridiculous amount of comments and reviews on the Interwebs from people who watched the original for the first time only a couple of days ago and from daft Daft Punk fans (I like Daft Punk just fine). This explains the inanity of these comments, and we should be patient and sympathetic.
Reviewers/commentors speak of Legacy as just a sensual feast and nothing more. I am deeply perplexed by this. There is actually blatant and necessarily heavy-handed symbolism in this movie. I say “necessarily”, because people don’t seem to understand symbolism now: The language of symbolism has become esoteric, and the masses now seem trapped in a two-dimensional world of the senses.
People don’t seem to understand the function that Tron (and all Tron sequels to come) serves in the world. Computer graphics are SECONDARY to any Tron movie. Synthesizers are also SECONDARY to any Tron movie. Any and all Tron movies are contemporary myth-making pure and simple.
The Tron “Legacy” is still in its infancy, and most people are still expecting to see nothing more than their own navel on any and all big screens.
(More to come)
Friday, December 17, 2010
To my loyal readers, who have stuck with me in my campaign to influence the outcome of the Tron sequel: Tonight we are victorious!
Wednesday, March 25, 2009
I’ve been watching Tron for the 703rd time or so recently and have noticed many things, but here are a few sequel ideas that crossed my mind:
So, the movtivation behind these ideas is that maybe 25 years ago programs looked something like these circuit board suits in the original, but things have changed since then…
I’ve mentioned some ideas like this before, but I think the getting-sucked-into-the-computer should involve these online worlds like Second Life and the like. Getting sucked into a system like Second Life, which apparently has it’s own economy (I don’t know much about it), and whatever else…here is an idea, maybe the Flynn-like hero character is sucked-into this Second Life, online-person-like world. This world is inhabited by user’s personas/avatars, whatever you call them. But maybe it is also infiltrated by some bad guys of some description, but they are somewhat indistinguishable from the ordinary personas, like drone zombies (by “zombie” I’m referring to something like philosophical zombies). That is just a possibility.
Here is another idea I just had along the same Second-life line: maybe these personas “get wise” (introducing an AI element of this spark of conscious awareness) to the fact that they exist in this Second life world, doing the bidding of their users! Yes, that is a good one. So maybe there is some kind of slave revolt or something. Maybe some bad guy sucks himself into the second life world and enlightens these personas to their lot in life. The possibilities are endless here I think.
You may be wondering, “what the hell does this have to do with Tron?” That is the fun part. How could you make a Tron sequel out of a concept like that above (see my earlier post for my guidelines)? There would have to be some at least nominal reference to Tron. There could be a reference to the characters of the original, like maybe they are some kind of mythic titans from the past (I’m thinking of the Titans of Greek mythology, distant titanic forces of the past, the race of gods before the Olympians). Yeah! That is a good idea too! The story from the original is like a myth like the ancient oral traditions or something, and this is somehow a myth that has been passed down over the last 25 years (which is equal to eons relative to the pace of development in ancient and prehistoric times).
Damn, there is a couple of damn good ideas in there for y’all in the Tron sequel making business. These ideas are available to you. A mention in the credits or something would be nice, but my primary intent is to keep the Tron spirit alive.
This new section on ‘Novelization notes’ is going to be seriously dorky and not full of ad hominem attacks on the upcoming sequel production.
One weird thing about this book is that there is a BUNCH of words I don’t know. Like what is a “vembrace”? I don’t know if they are all made up or not. They weren’t in the movie.
Another thing is that scene were Crom is escorted to his cell and meets Ram…after the line “who does he calculate he is?” he says, “If only Tron was still around…Did you ever see that guy in action? A hudred-percent independent!” This blew me away. In the original movie, you don’t really get any idea of what “free” programs are like. I guess there is still a whole world of working programs, but you don’t really get much of a sense of that in the movie. You also don’t get the impression of how mythic Tron was. There is that scene after Flynn and others are marched in front of Sark to receive their formal introduction/instructions and they overlook a game in progress, and someone says “That’s Tron. He fights for the users”. But that is the only hint I can think of of the stature of Tron.
Anyways, that scene continues in the book, and Tron steps out while Crom is waxing about him and Crom says, “Oh, my User-Tron! They’ve got you in here?”. The narration continues: “Tron- a legend come to life. When programs throughout the System spoke among themselves of independence, of loyalty to the Users, of defying the MCP, it was Tron’s name that was most often invoked.” Weird, eh? When I was a kid, I didn’t even pay attention to Tron’s character. The whole movie was about Flynn. Later it started to dawn on me that it is odd that the movie was called ‘Tron’, considering his role seems to be relatively minor. He is special because he has some mystery data on his disk, which he needs to jam all up in the MCP’s crack.
Anyways, the only other thing I noticed was that Sark is some kind of badass gladiator himself. He is introduced as “Sark the Red, the unbeaten”. The only hint you get of this in the movie is the very opening scene where Sark is doing the light cycle thing and totally jukes some kid in the real world playing the arcade game. And this makes the MCP’s comment about Sark being “brutal…and needlessly sadistic” make a bit more sense…because he is out on the game grid punking little kids and blasting the bits out of accounting programs all day.
This is some exciting news. A friend of mine picked this up for me for a dollar. I’ve never read a “novelization”, but I flipped through it, and the dialogue is straight out of the script. BUT there are some significant differences. I’m going to start a new category for notes/annotations on the differences between the novelization and the movie.
I’ve calmed down since I wrote my last couple posts, so this one probably won’t have any caps lock and cursing like last time. I want to start off with a more secularized take on what I was talking about last time: the Tron spirit. Today I want to look at the essential properties for a Tron sequel – what is the essence of Tron. By “essential properties” I mean: a property without which sth would cease to be an x (some thing, or kind of thing). So, what is essential for a movie to be a Tron sequel (apart from being titled as one). What features are necessary for a Tron sequel to be a Tron sequel. So, for example, you couldn’t have an Indiana Jones movie without Dr. Jones and archaeology.
This topic has been largely implicit in this blog, but here I want to state my position more clearly. I take it that what the producers of the Tron sequel, the PC game and the comic, that the essential properties for something to wear the ‘Tron’ name are:
- Glowing suits and discs
- a computer world where everything is permanently darkness
- MCP security program
- light cycles
- religious analogy
- The Flynn family line
- Encom
- etc.
These are exactly the tenets that I’m arguing against. Don’t get me wrong: I have no problem with the original movie. I suppose I’m arguing for a different kind of “sequel”. Here are what I take to be the essential properties of a Tron movie:
- being sucked into video games/computer world
- real world/computer world mirroring
- Some nominal reference to the original Tron movie
- Wendy Carlos
Notice that I have not included the dark computer world and the glowing circuit board suits. Also, I have included Wendy Carlos as essential, whereas the producers of the Tron sequel obviously don’t see it this way. If you want to see how the first 3 of these properties might be worked into a Tron sequel story, see my earlier posts.
When ending the last post about the “Tron spirit”, I realized that that is exactly the problem: the creators of the sequel need to stop watching Fast and Furious, and all those movies starring The Rock and sit down and close your eyes and get in touch with THE FUCKING TRON SPIRIT FOR FUCKS SAKE! Just assume that there really is a Tron spirit, like a real entity, like a god or something. Do you guys (you people working on the Tron sequel) think that the Tron spirit would be happy with what you are doing? That is the question that you should be asking yourself all goddamned day long! It doesn’t matter whether or not there really is a Tron spirit (there is no evidence either way), it would be better to play it safe and not anger the Tron spirit just in case there really is one.
I regret to inform you that it is possible that Daft Punk will be creating the soundtrack for the upcoming Tron sequel. This isn’t in any way a jab at Daft Punk. But this is ABSOLUTELY FUCKING DISASTROUS NEWS for the prospects of the Tron sequel. I can’t tell you how dismayed I am to hear this. Things are really not looking good. My message has obviously not been efficacious. I feel like I am in some fucking bizarro world, some alternate universe where everything if fucked-up, like in Back to the Future Part II, when Marty McFly goes to the future and everything has gone horribly wrong and Biff is some mega-mogul millionaire (it’s been awhile, but I seem to remember that). Truely, I can’t believe this is happening. There are dark times ahead for the Tron spirit.